<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Catalog Photography on BDMA.org</title><link>https://www.bdma.org/tags/catalog-photography/</link><description>Recent content in Catalog Photography on BDMA.org</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>bdma.org</copyright><lastBuildDate>Fri, 05 Jun 2026 00:00:00 +0000</lastBuildDate><atom:link href="https://www.bdma.org/tags/catalog-photography/index.xml" rel="self" type="application/rss+xml"/><item><title>How Patagonia Art-Directs Its Catalog Covers</title><link>https://www.bdma.org/post/patagonia-catalog-cover-design/</link><pubDate>Fri, 05 Jun 2026 00:00:00 +0000</pubDate><guid>https://www.bdma.org/post/patagonia-catalog-cover-design/</guid><description>
&lt;h2 id="a-cover-that-doesnt-sell"&gt;A Cover That Doesn't Sell&lt;/h2&gt;
&lt;p&gt;Roughly 60,000 photographs arrive at Patagonia every year from customers and wilderness photographers — a torrent of images of alpine climbs, untracked ski bowls, secret surf spots, and first kayak descents. Almost none of them feature a Patagonia product as the subject. And yet, since 1980, these submitted photographs have been the raw material for the most distinctive catalog covers in American direct marketing. The Patagonia cover is built on a deliberate refusal: it does not show you the jacket. It shows you the place the jacket is for.&lt;/p&gt;</description></item></channel></rss>